I listen to all sorts of music, and indeed listen to music as much of the time as I possibly can, but I do think it’s fair to say that majority of my listening in recent years has been to music that has the word progressive tagged on it somewhere. Said progressive tag spans a wide range of heaviness though.
The first couple of months of 2015 are already shaping up to provide some killer new albums from some of my favourite progressive bands, and the plan is that I keep this post up-to-date with impending releases that I’m looking forward too hereon.
Beardfish – +4626-COMFORTZONE – 12th January 2015
Beardfish still hold the crown as my most scrobbled band. They’re my favourite modern “traditional” prog rock, with a sound definitely anchored in the prog rock of the 1970s, but with more than enough contemporariness to make them sound like their own band. Their sound is anchored on twin guitars but also awesome Hammond organ as multi-instrumental lead singer Rikard Sjöblom switches readily between guitar and keyboards (which is why I’ve hankered after a Nord Electro 3 keyboard for a while). Their last album, The Void, was released in 2012 and marked their heaviest sound to date, bordering on progressive metal at times.
Apparently the new album is all about addressing the inner self.
Sylosis – Dormant Heart – 12th January 2015
Two great albums on the same day … what am I going to do!? I’ve posted about my love of Sylosis before. Definitely at the other extreme of the progressive spectrum, Sylosis are progressive thrash metal, and I’m totally open about my fanboi adoration of Josh Middleton’s guitar playing. Their last album Monolith was released back in 2012. Apparently this new one is their “most pissed off album” lyrically, and so definitely something to scare the neighbours with when I’m out washing the cars! It’s also the first album with their new drummer, Ali Richardson, who’s sharing his time between Sylosis and his other awesome deathcore/metalcore band Bleed from Within.
Steven Wilson – Hand. Cannot. Erase. – 2nd March 2015
I absolutely adored Steven Wilson’s previous album The Raven That Refused to Sing (And Other Stories) from 2013 and, if you need a very special endorsement of something I listen to, Mrs ® Andy liked it too! Steven Wilson has his hands in lots of things across the progressive spectrum, including his solo albums, various collaborations, and also production including most of Opeth’s recent albums. Also of course there is/was his band Porcupine Tree, currently on hiatus. I’d characterise his solo albums as the best of contemporary prog rock though, whilst he composes all the music, practically his well established band make a clear creative stamp through their performances too. Just like The Raven That Refused to Sing, this new album is firmly anchored on a particular concept – in this instance the idea/reality that some people can disappear but be literally missed by no one!